I am thrilled, honored, and grateful to have been selected as the 2022 recipient of n+1‘s Anthony Veasna So Fiction Prize.
There was plenty of food to buy and there were few people shopping for it at Wegmans yesterday morning, which was probably about right for ten A.M. on a normal Friday. At the entrance, a policeman in uniform was standing in front of the citrus display, but he mostly seemed to be checking his phone. Am I overreacting? I wondered. I was at a grocery store instead of at my desk because I had thought that this wasn’t going to be a normal morning. Over breakfast, I had seen a tweet in my feed of empty shelves in Hokkaido, Japan, where a state of emergency had recently been declared on account of the coronavirus pandemic. Stores there had sold out of all paper products. I knew what happens to milk and bread at New York City grocery stores when there’s a rumor of a snowstorm, and had figured I had better sacrifice my hours for writing, which are never all that productive anyway.
I had a long shopping list. It didn’t make sense not to do the shopping for the week as well as for the apocalypse. I had instructed myself only to buy things that we regularly do eat and use. Oatmeal, farro—neither of which I could find, and I was too shy to ask, though Peter tells me that Wegmans does have both, the oatmeal we like apparently located in the “British” section of an ethnic foods aisle—canned beans, lentils. An exception: tunafish. In the early years of our relationship, Peter and I ate far too many servings of a dish we ended up calling “tunabeans” and now we almost never eat tuna from a can. But cans of tuna seemed very much like the sort of thing one eats at the end of the world. We joke a lot about how we’ll probably have to eat catfood in our old age, for example. I bought two.
Would two be enough? I wasn’t sure what I was planning for, exactly. Sheltering in place during some kind of general lockdown? Sweating out at home our own cases of coronavirus? (Would that even be legal?) I added a couple of cans of chicken noodle soup, which we allow our otherwise vegeta- and pescatarian selves to eat when we have respiratory ailments. But two cans of soup wouldn’t be enough if either of us actually did get sick. On the other hand, we weren’t sick yet. Maybe because it was hard to believe I was really buying groceries for a plague, I only seemed able to do it halfheartedly.
I bought a couple of boxes of tissues, even though I’m a handkerchief person, and as I put them in my cart, in my head I wrote a joke, which I later shared on Twitter, about how I was going to use them in a few weeks as currency, the way packs of cigarettes used to be traded in the gulag archipelago. Shopping in extremis seems to put me in mind of the Warsaw Pact. When I lived in Prague, decades ago, while Czechoslovakia was in a ditch between communism and capitalism, there were rolling, unpredictable shortages because farmers and other producers of goods were hoarding in anticipation of being able to get better prices once the new world order arrived. For a long time there were no potatoes; at one point, there was a run (as it were) on toilet paper, and on paper generally. Having been triggered by the Hokkaido tweet, I bought four rolls, and two of paper towels, in addition to the tissues. For years after Prague, I remained neurotic about keeping a stocked pantry, and about having candles and matches in a drawer somewhere in case the power went out. Half a dozen years ago I even made Verizon give us a backup battery when they insisted on replacing the good old-fashioned copper cable to our landline with a fiber optic one, which doesn’t transmit electricity. The phone company has a power system independent of Con Edison’s, and Verizon’s “update” was going to disconnect us from it. Now this backup battery is so old that it beeps an announcement of its death every few months, but as with most modern applicances, if you unplug it and then plug it back in, it resets and you get a little more life out of it. Just before leaving for the grocery store, in fact, it had been beeping and I had unplugged it anew.
When I started this essay, I thought I knew where it was going, but now I’m not sure.
When I got home, I saw out the window that our neighbors across the way have put up a Gadsden flag. That’s the yellow one with the snake asking not to be trodden. When I was a child, it was just a historical curiosity—I think it was around a fair amount during the bicentennial—but now it seems so dire. Last fall, when I visited my father, who lives in rural Texas, I was struck by how many houses in the state are flying “Trump 2020” flags. I don’t think I had ever seen flags for a political campaign before. Yard signs and bumper stickers, but not flags. And the presidential election was then still a year away! It suggested a shift in the kind of allegiance people were expressing. My parents both often tell me that I don’t understand what support for Trump is like in their part of the country now, and they’re probably right.
I put the groceries away, ate lunch, tried to do a little work. Later in the afternoon, on my bike on the way to Cross Fit, I decided I should write an essay about how shopping for a plague is reminding me of having lived once before in a society that was in crisis, but then I had been young and the disorder had seemed like an adventure and a challenge—like a story that I was visiting rather than one that I was described by. And Wegmans had been so calm! Maybe after all I was the one carrying around the anxiety about being able to provide in an emergency, perhaps on account of still being a writer, which doesn’t quite add up to a living. We still needed oatmeal and farro. There was a Whole Foods on the way back from Cross Fit, and after class, I stopped there on my bike ride home.
At Whole Foods, though I knew where to find the oatmeal we liked, there wasn’t any. “It’s getting pretty cleared out,” said an employee, when I asked if they really didn’t have that brand in stock. They still had another brand that we don’t like quite as much, so I took two bags of it. Then took another three, because we have oatmeal every morning. Would five be enough? There were still a few bags of farro; I took them. The only cans of beans still left were lesser-known varieties, but I already had enough beans. Most of the pasta shelves were empty. Maybe people who shop at Whole Foods are more avid news consumers than people who shop at Wegmans? Or maybe the mood of the city had changed over the course of the day? In which case perhaps it hadn’t actually been crazy of me to have gone to the store in the morning. I got in line with my few items, but while waiting, I started to feel anxious. Did I really have everything we needed? Had I gotten enough tunafish?
I went back. “We need QR codes for all of these,” one employee was saying to another, gesturing at empty shelves where cans of beans had been. “They just declared a state of emergency in California,” another employee volunteered. “The whole state?” I asked, shocked. “I don’t know because I haven’t had time to look into it,” he replied. (In fact, so far only a few counties in Califonia have declared emergencies.) I got more tunafish—four cans, this time. There were still two small boxes (not cans, this was Whole Foods) of chicken soup on the shelf, and they seemed to be the last ones. I took them, too. Before I left the aisle I remembered that we needed whole coriander, not for the apocalypse but just for our regular lives. Whole Foods doesn’t have whole coriander, only ground coriander, and I knew this, but “Walk Away, Renee” had started to play on the store loudspeakers, and Peter had told me last week that one of the members of the Left Banke had died recently, so I stood in front of the spices for a while as if to verify that they didn’t have whole coriander and it occurred to me while I was standing there trying to hold it together that this wasn’t going to be the first plague I had lived through, actually, even though this one looked like it was going to move a lot faster, and I suddenly had the feeling that I had had one night during Hurricane Sandy when I was scrolling through Twitter and came across a video of a Con Ed transformer exploding down by the East River—a feeling that everything was coming apart and that maybe it was going to be too much for me. I was fine, though, I knew. Peter and I were in good health (and even if we came down with coronavirus, we’d almost certainly be fine), and I was shopping for things like farro and steel-cut oatmeal. I was living in the richest country in the world. It’s just a sad song, I told myself.
On the ride home it occurred to me that if Trump loses in the fall, then by this time next year he won’t be President. In fact he won’t have been President for five weeks. This might not happen, of course, but it was pleasant to think about.
I see a faraway look come into the eyes of many of you when I offer to talk about my new workout program, but on the internet there are no gatekeepers and you can’t stop me . . .
This is probably not the news you were expecting to hear from a essayist/novelist often pigeonholed as Jamesian, or at least wannabe Jamesian, but a few months ago I joined a Cross Fit box. There, I said it, I called it a “box”; that’s how you can tell I’m one of them now. A “box,” for the record, is a gym where people do Cross Fit, and Cross Fit is a workout program that combines elements of gymnastics, weightlifting, and aerobic training, including short intervals of high intensity. From day to day, the workout prescribed at a particular box changes, and as the New York Times recently reported, “from a purely motivational standpoint, variety matters” in exercise. I had heard several friends and one cousin extol the program, in some cases praising it for offering a workout so exhilarating that it even seemed to alleviate depression, and I was heading into a winter that looked like it was going to be kind of rough. It looked like an undertow was likely to follow the publication of my second novel. I wanted something to jolt me a little out of myself. My routine at the Y had gotten so mellow that between sets I was not only reading but taking notes on what I was reading. Not in the margins but in a separate notebook even. I was aware, too, that I was fifty-two (not fifty-three, as Google alleges!), and that if I wanted to try one last bout of athleticism, time was running out.
The somewhat paradoxical result, three months after signing up for a free intro lesson, is that I no longer feel with the same acuteness that time is running out. I’m in a pretty good mood, actually, even though nothing about being a writer has gotten any better. The mood alteration was confusing at the outset; my intellectual self remained fractious and grum while the animal organism beneath grew more limber and buoyant. A new kind of cognitive dissonance! Superstructure gradually but inexorably converged with base, knocked into shape by the animal carrying it, and one day, to my shock, I realized I was cheerful. Somewhere along the way my body itself changed, too. This remains disconcerting, if pleasant. The new body isn’t exorbitant or baroque or anything, but even so, I still don’t quite feel identified with it. It’s nice to have, and my husband is a big fan, but in a way it feels slightly beside the point—as if I’d just started a new job and it just so happens that I look sharp in the uniform but the uniform isn’t why I took the job. I also have no confidence that it’s going to last. “What if I write a blog post about my new body and then it withers away?” I asked my husband. “Then you can write a blog post about that,” he suggested. (Surely the cheerfulness won’t last.)
All of this seems very unlikely to someone who knows me as well as I do. Like most pre-gay boys, I was poor at sports. One of my elementary school nicknames was Butterfingers, as if to remind friends not to pass the nerf football to me, and by the time I reached high school, I dreaded gym class and regularly forgot my gym clothes—a desperate attempt on the part of my unconscious mind to get me excused. In a strange way this history turns out to be excellent preparation for Cross Fit, where, as a novice, I am almost always the weakest, slowest, and clumsiest person in the room. I don’t like being the weakest, slowest, and clumsiest, but since that’s who I was growing up, I probably mind it less than most other people would, and can stand it longer. I think I’m usually also one of the oldest people in my Cross Fit class, if not the oldest, and that, too, is a hidden advantage, in that I’ve had a lot of experience with failing at things and with learning from failure, and at my age I take it for granted that anything really pleasant is going to require work. I don’t want to seem to be underselling my grandiosity and ambition here. I’m not really indifferent to where I rank in a group, or in the world generally, as some of you have noticed. I’m a pretty competitive guy, and not only as a writer. All I’m saying is that I’m old enough to have gotten used to taking the long road.
Like many gay men, soon after coming out I started going to a gym, which was more or less required in the dating marketplace. My goal was beach muscles. I had absolutely no idea what I was doing. A few years ago, Peter brought home an exercise book and looking through it, I realized that with my poor form I had probably been injuring myself for years. An impinged shoulder sometimes woke me up in the middle of the night literally screaming, and spasms in my lower back often caused me to hobble and wince—and it’s likely that I had inflicted these pains on myself. I had accepted them as part of my inevitable mortal decay, when in fact they were very likely punishments for mistakes I didn’t realize I was making. Since I started Cross Fit, I haven’t had any back spasms or shoulder impingement. All I feel is a more or less pleasant soreness for a day or two after a hard workout. I used to have to spend ten minutes every morning sitting at the edge of the bed, nodding my head in an effort to unkink the muscles in my neck and upper back. I don’t have that problem anymore, though (truth in advertising here) I do have to do fifteen minutes of yoga stretches every morning, for the benefit of my glutes and hamstrings.
The hard part of being a writer is the long spans of time alone. One misses company but can’t quite afford to belong to anything too tethering. I like the low-pressure camaraderie of the box. People bring their dogs and their babies. Everyone has been supportive and welcoming. One fellow member loaned me a weighted jump rope for a month; one staffer volunteered that he’d read one of my novels, to more than which no writer at a gym can aspire. There are no mirrors on the walls of the particular box I go to. I don’t know whether this is explicitly part of the Cross Fit philosophy or just an accident of architecture, but I like it. When I first started, I worried that without mirrors I wouldn’t be able to see whether I was doing a movement crooked, or in some other way wrong, but I’ve come to realize that it’s only through the eyes of a coach or a peer that you ever really “see” a mistake, anyway; the false confidence provided by a mirror would be a distraction. Also, without mirrors, I’m able to forget, at least for the first dozen burpees, that I’m not as young as the people around me. I think this is what I meant earlier when I said that the new body itself is a little beside the point. I’m hardly against exercise for the sake of vanity, any more than I’m against writing for the sake of money. But you don’t spend a Cross Fit class gazing at your reflection and thinking how much hotter you’re getting, and that’s not only because there’s no mirror there (at least none in the box I go to). You spend the hour trying to learn how to do something you couldn’t previously do—just last week, I finally had a breakthrough on the exercise known as the kipping pull-up, though double-unders and toes-to-bars are challenges that I have yet to rise to—or trying to persist through fifty sit-ups, or learning how to feel which muscles you’re activating in which way. Thinking about the firing of specific muscles feels uncanny, by the way, if you haven’t ever focused on and practiced doing it before—like trying to memorize music if you’ve only ever memorized words. I think in the end it’s the learning—of things that are physical—that has me most hooked.
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Hi, Chicago! This is Caleb Crain, author of "Overthrow," which comes out on Tuesday. It's day 4 of my Instagram residency at the Chicago Review of Books, and today, in honor of your city, I have exhumed my undergraduate thesis about . . . Chicago! Or rather, about the myth of Chicago in the fiction of Nelson Algren. Alas, three decades later, the prose seems a little portentous, even to me. I was trying to make a link between Algren's fiction and the geographic analyses of the city made in the 1930s by several University of Chicago sociologists, so in my appendix, I had maps, one of which, for some reason, I reproduced by hand, not very legibly.
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This is Caleb Crain, author of the novel "Overthrow," which comes out tomorrow from @VikingBooks. My husband says that people on the internet like mood boards, so here are some art postcards that hang over my writing desk. Above the bulletin board is a reproduction of Wilhelm Bendz's painting "Interior from Amaliegade with the Artist's Brothers," which I scissored out of the New York Times when it was reproduced there a few years ago. On the bulletin board proper, clockwise, from top left, and then snaking into the middle are postcards of the following: Frédéric Bazille's "Le Pêcheur à l'épervier," Jean-Étienne Liotard's "Trompe-l'oeil," Nicolas Poussin's "A Dance to the Music of Time," Félix Vallotton's "La Manifestation," Thomas Jones's "A Wall in Naples," Giovanni Bellini's "St. Francis in the Desert," Richard Diebenkorn's "Cityscape #1," William Scott's "Mackerel & Bottle," Claude Monet's "Les Roses," Luigi Ghirri's "Capri," a photo that I took of the Tower of London, and a medieval manuscript page with an illustration of a barge, taken from a Book of Hours made in Ghent in about 1480. I bought the Vallotton postcard at an exhibit of his work at the Grand Palais in Paris in 2013, about a year after I started writing "Overthrow," and we ended up using the image on the novel's dust jacket!
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Hi, this is Caleb Crain, on day 3 of my Instagram residency for the Chicago Review of Books. I'm a Luddite, as I confessed yesterday, and I always write fiction by hand (though I always write nonfiction on a computer—sorry, I can't explain the discrepancy). Here's a photo of a page of the manuscript for my new novel, "Overthrow," which comes out on Tuesday from @VikingBooks. It's from an early scene in the book, and I admit that I chose this page because the revisions on it look so impressively elaborate. (On many other pages, the marking up isn't so rococo.) My method is that the left-hand pages are for scribbles, and the right-hand pages are where I try to write fair copy, once I think I know where I'm going. But sometimes, like here, even on the right-hand page I'm still going for a wander. I start out writing double-line-spaced, but on this page the revisions have crept into the interstitial lines that would have been empty.